Garden Exile: The Tuglas’s Home Garden Through Tanja Muravskaja’s Camera Lens
When they were in disfavour during the Soviet era, the literary figures Elo and Friedebert Tuglas found refuge in their garden: gardening helped alleviate their bitterness. The photographic artist Tanja Muravskaja searched in the garden of the Under and Tuglas Literature Centre for the Tuglas’s presence and the meaning of the garden exile today.
Curator: Elnara Taidre.
Tommy Cash and Rick Owens. The Pure and the Damned
The saturnine style of the American fashion designer Rick Owens and the creative work of the Estonian weirdo-rapper Tommy Cash share a fascination with the destructive and slightly deformed body. Diabolical in fashion shows and shocking in music videos, this neo-goth trend is represented at the exhibition by Rick Owen’s exceptional costumes and Tommy Cash’s videos, complemented by new works that unite the practices of the two artists.
Curator: Kati Ilves.
Gustav Klucis: Russian Avant-Garde Art in the 1920s–1930s
A retrospective of the work of the Latvian artist Gustav Klucis (1895–1938), one of the greats of Constructivist and Russian agitprop art. The exhibition provides a survey of the artist’s experimental work, which employed innovative graphic design and photo montage in the service of both propaganda and the avant-garde.
Curator: Iveta Derkusova (Latvian National Museum of Art).
Sots Art and Fashion: Conceptual Clothes from Eastern Europe
Sots art developed in Moscow in the early 1970s, when for the first time in the history of unofficial art, artists drew inspiration from previously despised Soviet visual culture. During the later years of perestroika, the ironic Soviet style unexpectedly blossomed in East European fashion.
Curator: Liisa Kaljula
Permanent Exhibition: Treasury
Classics of Estonian Art from the Beginning of the 18th Century until the End of the Second World War.
The rooms of permanent exhibition are filled with the early classics of Estonian art from the 18th century until the end of the Second World War. As the exhibition moves from one topic to another – from a work of an anonymous Baltic-German portrait artist to Johann Köler, Kristjan Raud and Konrad Mägi, and on to the Group of Estonian Artists, Pallas School – a visitor can also detect cultural processes characteristic to Western Europe. The exhibition tracks down changes in the Estonian mentality as well as in art styles. It consists of both masterpieces that already have established a place in the collective memory of Estonians and works that have until now been waiting in the depositories to be displayed.
Permanent Exhibition: Conflicts and Adaptations. Estonian Art of the Soviet Era (1940–1991)
Estonian Art from the End of the Second World War Until Re-Independence.
The new permanent exposition focusses on the complicated relationship between art and its environment, and presents the various countenances of the era and the altering roles of art, which include depicting the surrounding reality, taking a stand against it, and creating alternative realities.